LIBERATION DAY By Brian Seiler
Three
in the morning we are hidden trackside in the scrabble
We have
friends everywhere
all of us soaked in a shield wall of rain
slickers
cascading over pods of muck
boots
We have sent for help from all quarters and
here swim emissaries from the awakening oceans
Word
has traveled that she will pass this way
There's the signal—a
loon call echoing down the line of crossings
Now
we are great Birnam Wood slowly moving
from
the waterfalling cinder brush
Sodden creatures posing as feet
urge us forward
We have left behind coffee and all comforts
for after all this is a rescue mission
Handheld
lanterns hover over the tracks—
a
galaxy of miniature suns burning away
any delusions of
gunpowder plots
Simply
this westbound train
will not reach its destination
No violence no need to hail or
derail the train—
it
just aches and bangs to a halt as the crew fades
from
history
Then all are still but
unsettled in the
hoppers
the scrap piles complain with the silent
screams of Gothic arches
and the engine has seized up, gears
corrupted
Before us a line of cars like spent shotgun
shells
but for a luminous prisoner transport
Cargo
doors now askew have groaned off hinges
and no longer stand
as guards but kneel
as attendants in the gravel
The
rain halts abruptly and even the moon now eavesdrops
on our
struggle to banish the monsters back to shadow
Eyes
blue-emblazoned, a tall figure
with
hair tucked up in a white-starred Phrygian cap
leaps
down as one emerging from the pages of horror
The captive has
flag-mantled forearms and
wrists with fresh
wounds layered over the ones older than trees
Harbor-gray robes
glide into the throng as she pauses
What
took you so long to muster, friends?
The lamps are going out all
over America
No
one for miles says a word
as her eyes indulge the
memory of old growth forest
We
could linger long in the near dawn
and entangle our roots
while
she
speaks to the trees and the trees speak to time in its native tongue
For
just a moment she is somewhere else
somewhere
else tearing light from black holes with her bare hands
The
lamps...we shall see them lit again
But we have work to do. All
of us.
and
with a ballroom-burning determination
she is
Potomac-bound
The loon calls again as the sun breaks on
liberation day
The fearsome reckoning has begun
Note: America is a country that, on paper, at least, grants freedom of speech, but that right seems to be in jeopardy. It is alarming and pathetic that I have to include this note, but because of NSPM-7, I am hereby stating that this poem does not support violence (this fact is literally stated IN the poem). Liberation Day uses figurative language - personification, simile, metaphor, etc. in the long tradition of American writers - to evoke spontaneous American unity and nonviolent legal justice being meted out to the many who have manipulated and warped our government.
The poet's vision of American Values is as such: We come together as a nation in community to build things both concrete and abstract that elevate us. The institutions we build comprise "wholes" that surpass the sum of the parts, and are used for purposes of protection and invention but never as weapons against any of the "parts."
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